Well, one can argue that it never has been. Even though the epicenter Food Wars! Shokugeki no Souma is indisputably food, this center has always been framed within some form of elaboration, whether it be food eroticism or a cooking variation on the shonen genre. In the series’ more recent stages however, the framing has notably evolved beyond the food and cooking motif to a focus on the people that eat and cook. Two particular scenes come to mind that illustrate this focus most prominently.Read More »
In his video essay “TARANTINO | Let’s get into character”, YouTuber MUST SEE FILMS identifies two dualistically juxtaposed character states in the films of Quentin Tarantino: “informal” and “dramatic”. The former is “a neutral … state that a character expresses when alone or relaxed in comfortable company”, while the latter is “a heightened … state when they take on a certain kind of persona.” He illustrates these two states inter alia through the famous apartment scene in Pulp Fiction and the dialogue that precedes it. From that characters Jules and Vincent are in their car driving to the place to that they arrive in front of the apartment door, their dialogue consists of informal, (seemingly) narratively inconsequential small talk about the French term for cheeseburgers and foot massages. When they subsequently enter the apartment, they shift to a dramatic state of serious and aim-oriented action (MUST SEE FILMS).Read More »
At long last, the new season of Full Metal Panic! has arrived. For me and (I would imagine) many other anime fans of my generation, this is a big deal. Full Metal Panic! was not only one of my initial major introductions to the medium, but in a lot of ways the representation of an era. While not particularly seminal, it was a staple for the 2000s with its mishmash of the many things that the medium had to offer at the time; from past genres such as mecha to new emerging genres such as high school comedy and romance. To quote Tristan Arkada from his Crunchyroll Anime Lightning Round: “it has almost everything that … anime was from the 2000s”. Although as Arkada in the same breath points out, the medium has evolved significantly since then – not only in terms of its style(s), but an entire new generation of anime fans has come to fruition.Read More »
I did an article for The Artifice about abridged series. Check it out!
When consuming any type of story, it is of standard occurrence that one is left with a message to take away from it. What is commonly described with the phrase “moral of the story” is the concluding outcome of a narrative’s cause/effect-chain and dramatic structure – the point where the audience is handed a lesson based on how the story has played out. We see it perhaps most clearly in children’s fiction, but it’s a basic feature in storytelling in general. But what happens when the concept of a “moral of the story” is subverted through negation?Read More »
Mangaka Shuuzou Oshimi is an avid explorer of sex, gender and sexuality. From adolescent stories like Avant-garde Yumeko and Sweet Poolside to explorations of sexual desire in Devil Ecstasy and Yuutai Nova, he has repeatedly delved into fascinating questions on the topic in often times uncomfortably intimate detail. Boku wa Mari no Naka, or Inside Mari, is without a doubt his most thorough work in this regard to date. Following twenty-something hikikomori Isao Komori who one morning finds himself inside the body of high school girl Mari Yoshizaki, the series poignantly uses a (seeming) body swap premise to investigate questions of bodily experience, performativity, and the divide between the Self and the Other.Read More »
I did an article for The Artifice about the appeal of slice of life. Check it out!